Monument Stonework Protection

RESTORING HISTORIC MONUMENTS AND BUILDING STRUCTURES

This Section contains Resources for Engineers and Researchers on issues relating to Restoring Historic Monuments and Building Structures.

SECTION: CRACK REPAIR top
Title Author Description and Summary Links
Planning and Engineering Guidelines for the Seismic Retrofitting of Historic Adobe Structures E. Leroy Tolles, Edna E. Kimbro, William S. Ginell Many of the early structures in the southwestern United States were built of adobe. The materials available for construction of early churches, missions, fortifications (presidios), stores, and homes were generally limited to those that were readily available and easily worked by local artisans. Adobe has many favorable characteristics for construction of buildings in arid regions: it provides effective thermal insulation, the clayey soil from which adobe bricks are made is ubiquitous, the skill and experience required for building adobe structures is minimal, and construction does not require the use of scarce fuel. As a consequence of their age, design, and the functions they performed, surviving historic adobe structures are among the most historically and culturally significant structures in their communities. However, earthquakes pose a very real threat to the continued existence of adobe buildings because the seismic behavior of mudbrick structures, as well as that of stone and other forms of unreinforced masonry, is usually characterized by sudden and dramatic collapse. There is also the threat to occupants and the public of serious physical injury or loss of life during and following seismic events. Generally speaking, it is the evaluation of the engineering community that adobe buildings, as a class, are more highly susceptible to earthquake damage than are the various other types of buildings. Document
Incentives for the Preservation and Rehabilitation of Historic Homes in the City of Los Angeles The Getty Conservation Institute Historic preservation is attracting growing interest and support in Los Angeles and across the country. What began as a movement to preserve architectural masterpieces and sites where important events occurred has broadened and now encompasses a wider range of historically, architecturally, and culturally significant homes and neighborhoods. Today the preservation and rehabilitation of historic homes is integral to the mainstream housing market. More people are buying historic homes, more neighborhoods are forming preservation associations, and more cities and states are developing incentives to support preservation. The value of preservation to economic development, employment, tourism, neighborhood stability, property values, and preservation of the local housing stock has been well documented and is widely accepted. Increasing numbers of homeowners and homebuyers are discovering the pleasure, and the benefits, of owning and caring for a historic home. Document
The Azhar Park Project in Cairo and the Conservation and Revitalisation of Darb Al-Ahmar Historic Cities Support Program Pursuing active urban revitalisation has become the main theme of the Historic Cities Support Programme (HCSP), another branch of the Aga Khan Trust for Culture (AKTC), established in 1991. From the beginning, the guiding principle behind this programme was to improve the quality of life of local communities through investment in their cultural heritage and through the rehabilitation of architecturally significant structures. This has been a goal in all earlier projects, from Baltit Fort and the surrounding settlements in Northern Pakistan to Zanzibar and its seafront. The sites in Cairo, which are the subject of this major HCSP project, offer a unique opportunity to implement the same principle on a much larger scale. Here, the Trust and the other donors involved in the project have the possibility to achieve something truly outstanding and fully commensurate with the potential of the place. Document
Stone Conservation: An Overview of Current Research The Getty Conservation Institute One of the elder statesmen of conservation, returning from a stone conference, was asked whether there had been anything new and interesting. "No," he replied, and then he paused before adding, "There never is." Perhaps he was being overly pessimistic, but his attitude reflects a widespread feeling among many people who are involved in stone conservation at present. There is a feeling that research has stagnated; that we are not making any real progress in the way that we care for our historic stone buildings and monuments; that we should be looking for radically new approaches; in short, that research is "on the rocks." And yet this feeling comes at a time when more people than ever before are working in stone conservation, and when the number of publications and conferences is ever increasing. This volume takes a broad, and sometimes critical, look at the present state of stone conservation and of the way in which research is conducted. It looks first at the deterioration of stone and at ways in which deterioration may be prevented or remedied. It then looks at some of the factors that are limiting the effectiveness of research, and it concludes with recommendations as to how research might be made more effective. Document
Accelerated Aging: Photochemical and Thermal Aspects. The Getty Conservation Institute In the effort to estimate the potential long-term serviceability of materials?the ?maintenance of performance above a threshold level that is regarded as acceptable? (Sereda and Litran 1980)?two aspects can be distinguished. One is the stability of a material or composite of materials, that is, their resistance to environmental factors such as oxygen, ozone, moisture, heat, and light, which primarily bring about chemical changes. The other is durability, largely the physical resistance to change with respect to the stress and strain of use.

By far the most extensive literature on accelerated aging deals with the chemical stability or chemical resistance of specific materials. One may regard this emphasis as a fundamental approach, for it is generally held that it is chemical changes that are ultimately responsible for the physical disintegration and failure of materials. Much more rarely do conservators focus their attention on the physical stresses of use unless they are concerned with the maintenance of monuments and historic sites, the ruggedness of bookbindings, or the design of shipping containers and earthquakeresistant display cases.

This review primarily discusses the chemical aspects of photochemical stability, particularly the ways in which the oxidative deterioration induced by exposure to visible and near-ultraviolet radiation takes place and the ways in which the underlying chemical processes can be speeded up in order to estimate the long-term serviceability of materials. Acceleration of thermally initiated deterioration will also be discussed briefly.

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Epoxy Resins in Stone Conservation. Charles Selwitz There is some controversy about putting polymers into stone to provide stabilization. How can any organic material make inorganic rock stronger? There is, in fact, ample evidence that epoxy resins injected into cracked, crumbling, concrete wharfs, bridges, and buildings can rehabilitate these structures to provide many additional years of service. In November 1989, Pier 187 of the Port of Los Angeles was inspected. This structure was built in 1920, but by 1957 it had deteriorated, and the concrete beams had large transverse cracks of up to 1 cm in width (Wakeman et al. 1962). The pier was going to be torn down and rebuilt. Instead, it was injected with epoxy resin; 2700 kg (6000 lbs) were pumped into 1500 m (5000 linear feet) of cracks. Afterward, the sections that were inspected appeared sound and stable and looked as if they could last another 30 years (Fig. 1). The application of pressure-injected neat epoxy resin has been used on numerous public, commercial, and historic structures around the world, almost since the time the material was first made available in the 1950s. Many projects concerned with the preservation of cultural property can be cited. The list would include the 500-year-old Church of Santa Maria Maggiore in Venice (Corrosion Prevention and Control 1974); the 700-yearold Dom Cathedral in Utrecht; the St. Coeur de Marie Church in Quebec City; the National Palace in Managua; the Santa Domingo Church in Guatemala City; the arch columns of the Mission San Juan Bautista in California (Adhesive Engineering Company 1980); Borobudur, the giant stepped pyramid that is the world's largest Buddhist monument where 227 metric tons (250 tons) of epoxy resin were used (Aspect 1983); and Westminster Hall, Kew Palace, and the Tower of London (Stone Industry 1984). So, the question of the durability, adhesion, and strengthimparting properties of epoxy resins and the appropriateness of using this organic polymer in stone appears to have been answered. Document
Workshop on Methodology for the Conservation of Polychromed Wooden Altarpieces: JUNTA DE ANDALUCÍA, Consejería de Cultura. In May 2002, a group of architects, conservators, restorers, and art historians from the Americas and Europe, specialized in the conservation of altarpieces, met in Seville, Spain, for a seminar on ?Methodology for the Conservation of Polychromed Wooden Altarpieces.? The meeting was organized by the Instituto Andaluz del Patrimonio Histórico (IAPH) and the Getty Conservation Institute (GCI) to discuss issues related to altarpiece conservation and the need for a conservation methodology adapted to the particularities of these works of art. Document
Sustainable Climate Control for Historic Buildings in Hot and Humid Regions Management of Environmental Quality: An International Journal. To preserve both the cultural collections and the historical buildings that house them, a technologically simple yet robust climate control system was installed in two small rooms containing the Historic Archive of the Canary Islands, located in a municipal building of the city of La Laguna on Tenerife Island, Spain. The building is a late 19th century massive masonry building located in a sub-tropical climate site. The system was designed to maintain the RH level (less than 75%) necessary for preventing microbial activities in collections in cultural institutions by operating residential-type ventilators and a heater under a humidistatic control. Interior and exterior climates as well as interior levels of microbial activities and dust deposition were monitored, before and after the installation of the systems. After nearly one year of operation, we have confirmed that the system not only successfully eliminated events of high RH but also stabilized it. The annual temperature variation was significantly reduced, although daily variations increased. The room's moisture content was reduced to less than that of the outside. Although microbial activities were reduced in the environment, remained unchanged on documents. The system was simple to install and inexpensive to operate. Document
Hadrian's Wall World Heritage Site: A Case Study. The Getty Conservation Institute This case study looks at the management of Hadrian?s Wall World Heritage Site. Hadrian?s Wall is a remarkable, extensive Roman ruin that has been valued as an archaeological remain for more than two centuries. Today, the designated World Heritage Site includes the Wall, its associated archaeological features such as forts, milecastles, and vallum ditches, and the ?setting,? a ?visual envelope? and buffer zone extending from to kilometers from the Wall itself. A number of agencies, government bodies, and private landowners are involved in the management of the site under the coordination of English Heritage. This
study focuses on the values-based management of these resources since the site?s World Heritage listing in 1987.
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The Restoration of Historic Buildings Between 1835 and 1929: the Portuguese Taste. Universidade do Porto The glorification of the historical monument - a European phenomenon that emerged during the first quarter of the 19th Century - occupied a place of great theoretical and iconographic importance in the Portuguese press. Through engravings, its image attained a power of synthesis, both in the creation of symbols and in the understanding of stylistic categories, becoming a major driving force behind the greater value that was given to the medieval architectural heritage and its consequent restoration.

Despite being given a relatively ineffective and somewhat belated administrative and legal framework, the prestige and popularity of medieval monuments were sufficient to ensure a significant number of restoration works after 1840. Literature on art, the press and manuscript sources of the period, sought to identify the principles to underlie the idea of restoration in Portugal between 1839 and 1925, as compared to models adopted throughout Europe. Although Portuguese artistic culture lagged far behind other European nations, the restoration of medieval religious architecture was common practice in Portugal at that time, both due to the idea that unity had always been one of the fundamental principles of architecture and because the cult of monuments stemmed from a mythical and symbolic production of national identity.

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Conservation of Historic Stone Buildings and Monuments Commission on Engineering and Technical Systems A complete eBook, 360 pages from from the National Research Council, on the Conservation of Historic Stone Buildings and Monuments. Includes, The Principles of Conservation, Some Illustrative Preservation Problems and Treatments in Washington D.C., Diagnosis and Prognosis of Structural Integrity, Cleaning and Surface Repair, Preventive Maintenance in Historic Structures. eBook
Restoring Historic Commercial Buildings Utah State REHABILITATING a historic building should include preserving and restoring the historic character of the property, keeping and repairing its distinctive features, removing inappropriate materials, and using methods of cleaning that are non-abrasive.

Rehabilitating a historic commercial building is important because it Enhances its marketability as distinctive retail or office space, Mitigates damage cause by inappropriate modifications and Restores functional elements of a building.

Utah State
Victorian and Edwardian Terracotta Buildings JONATHAN TAYLOR MSc The last decades of the 19th century saw a proliferation of terracotta construction characterised by big, sumptuously ornamented, metal framed buildings. Many are now decaying. Jonathan Taylor examines the most common defects arising and the conservation approach. HTML Document
The Conservation of War Memorials Joy Russel Many of the problems affecting the physical condition of war memorials are similar to those faced by other buildings or forms of public sculpture, including structural instability, general weathering and decay, graffiti and other types of vandalism. Regardless of architectural or sculptural merit, however, the dedication and roll of honour on war memorials have an intrinsic historic value which differentiates them from other types of public monument, forming a repository of communal memory which needs to be preserved for future generations.

Those who take on responsibility for the upkeep of the fabric of war memorials often have little or no experience of the conservation and repair of historic buildings, and do not know who to turn to for advice. Although the local small building firm or monumental mason may have experience in producing new work and carrying out general household repairs, they often lack the specialised knowledge and skill which are essential for good specification and practice in building conservation work.

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The Repair of Historic Wooden Windows John H Myers The windows on many historic buildings are an important aspect of the architectural character of those buildings. Their design, craftsmanship, or other qualities may make them worthy of preservation. This is self-evident for ornamental windows, but it can be equally true for warehouses or factories where the windows may be the most dominant visual element of an otherwise plain building. Evaluating the significance of these windows and planning for their repair or replacement can be a complex process involving both objective and subjective considerations. The Secretary of the Interior's Standards for Rehabilitation and the accompanying guidelines, call for respecting the significance of original materials and features, repairing and retaining them wherever possible, and when necessary, replacing them in kind. This Brief is based on the issues of significance and repair which are implicit in the standards, but the primary emphasis is on the technical issues of planning for the repair of windows including evaluation of their physical condition, techniques of repair, and design considerations when replacement is necessary. HTML Document
Repointing Mortar Joints in Historic Masonry Buildings Robert C. Mack, FAIA, and John P. Speweik Masonry--brick, stone, terra-cotta, and concrete block--is found on nearly every historic building. Structures with all-masonry exteriors come to mind immediately, but most other buildings at least have masonry foundations or chimneys. Although generally considered "permanent," masonry is subject to deterioration, especially at the mortar joints. Repointing, also known simply as "pointing"or--somewhat inaccurately--"tuck pointing"*, is the process of removing deteriorated mortar from the joints of a masonry wall and replacing it with new mortar. Properly done, repointing restores the visual and physical integrity of the masonry. Improperly done, repointing not only detracts from the appearance of the building, but may also cause physical damage to the masonry units themselves. HTML Document
Roofing for Historic Buildings Sarah M. Sweetser A weather-tight roof is basic in the preservation of a structure, regardless of its age, size, or design. In the system that allows a building to work as a shelter, the roof sheds the rain, shades from the sun, and buffers the weather.

During some periods in the history of architecture, the roof imparts much of the architectural character. It defines the style and contributes to the building's aesthetics. The hipped roofs of Georgian architecture, the turrets of Queen Anne, the Mansard roofs, and the graceful slopes of the Shingle Style and Bungalow designs are examples of the use of roofing as a major design feature.

But no matter how decorative the patterning or how compelling the form, the roof is a highly vulnerable element of a shelter that will inevitably fail. A poor roof will permit the accelerated deterioration of historic building materials-- masonry, wood, plaster, paint--and will cause general disintegration of the basic structure. Furthermore, there is an urgency involved in repairing a leaky roof since such repair costs will quickly become prohibitive. Although such action is desirable as soon as a failure is discovered, temporary patching methods should be carefully chosen to prevent inadvertent damage to sound or historic roofing materials and related features. Before any repair work is performed, the historic value of the materials used on the roof should be understood. Then a complete internal and external inspection of the roof should be planned to determine all the causes of failure and to identify the alternatives for repair or replacement of the roofing.

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Rehabilitating Historic Storefronts H. Ward Jandl The storefront is the most important architectural feature of many historic commercial buildings. It also plays a crucial role in a store's advertising and merchandising strategy to draw customers and increase business. Not surprisingly, then, the storefront has become the feature most commonly altered in a historic commercial building. In the process, these alterations may have completely changed or destroyed a building's distinguishing architectural features that make up its historic character.

As more and more people come to recognize and appreciate the architectural heritage of America's downtowns, however, a growing interest can be seen in preserving the historic character of commercial buildings. The sensitive rehabilitation of storefronts can result not only in increased business for the owner but can also provide evidence that downtown revitalization efforts are succeeding.

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The Maintenance, Repair and Replacement of Historic Cast Stone Richard Pieper Having gained popularity in the United States in the 1860s, cast stone had become widely accepted as an economical substitute for natural stone by the early decades of the 20th century. Now, it is considered an important historic material in its own right with unique deterioration problems that require traditional, as well as innovative solutions. This Preservation Brief discusses in detail the maintenance and repair of historic cast stone-precast concrete building units that simulate natural stone. It also covers the conditions that warrant replacement of historic cast stone with appropriate contemporary concrete products and provides guidance on their replication. Many of the issues and techniques discussed here are relevant to the repair and replacement of other precast concrete products, as well. HTML Document
Preserving Historic Ornamental Plaster David Flaharty This Preservation Brief has been prepared to assist property owners, architects, contractors, and Federal agency managers in identifying the causes of ornamental plaster failure, specifying repair and replacement techniques and engaging qualified professionals to do the work. The scope of this Brief is limited to the repair and restoration of existing ornamental plaster; certain forms of decorative plaster such as scagliola, composition ornament, and artificial Caen Stone are not addressed, nor is the design and installation of ornamental plasterwork in new construction. Finally, guidance on using substitute materials to match the historic appearance of ornamental plasterwork--a legitimate option within the Secretary of Interior's Standards for the Treatment of Historic Properties--is not discussed here, but will be the subject of another Brief on interiors. HTML Document
The Use of Substitute Materials on Historic Building Exteriors Sharon C. Park, AIA When deteriorated, damaged, or lost features of a historic building need repair or replacement, it is almost always best to use historic materials. In limited circumstances substitute materials that imitate historic materials may be used if the appearance and properties of the historic materials can be matched closely and no damage to the remaining historic fabric will result.

Great care must be taken if substitute materials are used on the exteriors of historic buildings. Ultraviolet light, moisture penetration behind joints, and stresses caused by changing temperatures can greatly impair the performance of substitute materials over time. Only after consideration of all options, in consultation with qualified professionals, experienced fabricators and contractors, and development of carefully written specifications should this work be undertaken.

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